Sayeed Haider Raza (Indian, 1922–2016) Bindu, 1997
Acrylic on canvas 47 × 47 inches (119.4 × 119.4 cm) Signed and dated ‘RAZA 97’ lower centre
This powerful geometric abstraction is a compelling example of S. H. Raza’s mature visual language, where form, colour, and philosophy converge. Anchored by a central bindu—the primordial point of creation—the composition unfolds through a carefully structured arrangement of squares, triangles, and rhythmic patterns.
Earthy reds, ochres, blacks, and deep tonal accents create a pulsating equilibrium, evoking both cosmic order and elemental energy.
Raza’s work is deeply rooted in Indian metaphysical thought, drawing from the Upanishads, Tantra, and the concept of panchatatva (the five elements). In this painting, geometry is not merely formal; it is symbolic.
The bindu functions as the nucleus of spiritual concentration, while the surrounding grids and colour planes radiate balance, movement, and meditative depth. The surface reflects Raza’s mastery of pigment and structure, transforming abstraction into a contemplative and philosophical experience.
Internationally celebrated and represented in major museum collections worldwide, S. H. Raza remains oneof the most important figures in Indian modern art. Works from this phase are especially prized for their synthesis of modernist abstraction and Indian spiritual consciousness.
Provenance, Authentication, and Exhibition History
The artwork has been acquired directly from the artist in New Delhi, ensuring impeccable and uninterrupted provenance. Direct acquisition from S. H. Raza significantly enhances the historical and documentary value of the work.
The painting is accompanied by the artist’s authenticity certificate, confirming its originality and authorship.
Additionally, it carries an independent authentication by noted art historian Mr. Ratan Parimoo, whose scholarly authority and expertise in Indian modern art are widely respected. His certification provides strong academic and connoisseurial validation.
Further underscoring its importance, the artwork has been published in the Millennium Post and has been exhibited at prominent art exhibitions, reflecting both critical recognition and institutional visibility.
With its strong philosophical foundation, direct-from-artist provenance, multiple layers of authentication, documented publication, and exhibition history, this work stands as a significant and museum-worthy example of S. H. Raza’s iconic abstract practice—making it a highly credible acquisition for discerning collectors and institutions alike.
Dubai Estimate: $800,000 – $1,200,000 USD
Location of item: Dubai, United Arab Emirates
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